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Photography 101 Part 1
Equipment
This article is a simplified photography course directed at new photographers out there who want to know where to start.
If you really want to learn photography the first thing you need is a good
affordable and reliable camera. It must, and I repeat must, be able to shoot in
fully manual and fully auto focus modes. (This leaves out any digital cameras on
the market right now, sorry.) To really learn photography you must understand
the equipment. You’ll need to learn how manipulating the shutter speed,
aperture, and focus will have a dramatic effect on your photos. Meters, if you
have a camera that can work in a fully manual mode it should have an internal
meter suitable for what you will be doing. Tripod, you’re going to need one
whether it’s portrait work or landscapes you’ll need one eventually. Luckily you
don’t have to spend a lot here. Just something lightweight and durable. Flash,
you can buy a separate camera mounted flash, which is great if you can afford
it. Consider what kind of photography that you will be doing though. If you’re
going to do mostly nature and landscape, you may only need the fill flash that
comes with most cameras today. If you plan on doing portraiture alone you will
want to consider a camera mounted flash that has an adjustable angle.
Film, film speed to be exact. Slower speeds (25 to 400) are
intended for portraiture and landscape photography. Faster speeds (600 and
above) are intended for actions shots and photojournalism. So first you need to
know what you going out to photograph and make sure that you have the
appropriate film for the job.
Now that you have the camera loaded with film consider shutter
speed. Do you want to blur motion, or freeze it? If there is no motion at all
what shutter speed do you need to expose the scene with natural light. From
1/60th and down to the bulb setting will blur most motion. For example if you
want to blur the water in a waterfall, a setting of 1/30th should work. (You’ll
need a tripod though.) 1/125th is a normal setting for most shots. On many
cameras the 125th setting is marked in a different color to make it obvious. If
you want to freeze action you’ll need to start with 1/500th and work up from
there. The faster the motion the faster the shutter speed needed to stop motion.
Many cameras go up to 1/2000th of a second. If you’re trying to use natural
light alone in a scene you will want to determine the aperture first and then
see what shutter speed you need to properly expose the scene for available
light. (Keep in mind sometimes there isn’t enough light.)
Aperture, these are the set of numbers on your lens closest to
the body of the camera. They can go from 1.8 to 22, and they are referred to as
F-stops. These numbers determine how much light reaches the film inside of your
camera. Most internal meters will blink on the appropriate aperture for the
shutter speed that you’ve set, or the speed you’ve set will blink if your F-stop
is correct for the speed. Both the F-stop and shutter speed can be changed to
expose the scene correctly. Consider that the faster the shutter speed the more
light will be needed to expose the scene correctly. This makes logical sense if
you think about it. If the shutter isn’t open as long, fast shutter speed, then
there is less light able to make it to the film and so the scene must be
brighter to expose correctly. To learn, bracket your shots. Take the first shot
at the aperture suggested by your meter, move one stop up, take a photo, one
down, take another photo.
Flash, I personally like shooting with natural light whenever
possible and at most I use a fill flash. But if you’re going to do portrait work
then most of the time you may be indoors and you will need a flash sometimes.
For the amateur the fill flash units that are on the top of most of today’s
cameras are wonderful for basic work. You will have to read your manual on your
particular flash unit to learn what it can and can’t do. This is where the
camera that is fully manual and fully auto is great for the amateur. You can
usually set it so that the camera will meter and set the flash output
accordingly and then you still can control the shutter speed and aperture.
This week’s assignment:
Have several rolls of 400 speed film, find a subject that you
can work with preferably something that won’t move, and shoot one roll of film.
Shoot some of the roll in the morning, afternoon, and evening. Bracket every
shot, take notes on time of day and light conditions, and what your settings
(aperture) were for each frame, keep the film speed the same for the entire
roll. Have the film developed and examine the photos. You should be able to see
a difference in each frame. You’ll need to repeat this procedure until you feel
that you understand the relationship between shutter speed and aperture, and
every camera and meter has it’s own quirks and differences, you’re camera will
act differently than someone else’s. This way you will learn you own particular
camera as well. Once you have a sense of how aperture works you won’t need to
bracket every shot you take, you may only need to do it in cases where you want
to be extra safe on exposing the subject correctly.
Copyright 2004 Kelly Paal
Kelly Paal is a Freelance Nature and Landscape Photographer, exhibiting
nationally and internationally. She started her own business Kelly Paal
Photography. She has an educational background in photography, business, and
commercial art. Please visit www.kellypaalphotography.com for more FREE how to
articles.